Number Twelve is an urban legend in 2060 New York City. The hot club in the 1960s, it is now reported to be haunted?and cursed.
Lieutenant Eve Dallas is called there to investigate the apparent murder of Radcliff Hopkins, its new owner and the grandson of the man who made Number Twelve a cultural icon. Several bullets from a banned gun end his dream of returning the building to its former glory. With everyone around her talking about the supernatural, pragmatic Eve won't let rumors of ghosts distract her from hard evidence. The case becomes even more bizarre when it appears to be linked to the suspicious disappearance of a rock star eighty-five years ago. As Eve searches for the connection, logic clashes with the unexplainable. She may be forced to face the threat of something more dangerous than a flesh-and-blood killer.
There are a growing number of people who have mistaken ideas about Christianity. Why? Because the media’s politically correct agenda has redefined historical religious terms. Meanwhile, liberal Christianity denies the supernatural and explains away anything miraculous.
Dr. Towns attempts to answer these problems. He takes the Bible at face value and explains Christianity’s basic concepts beginning with the premise that Christianity is a Person—Jesus Christ. Then chapter-by-chapter, he builds a coherent and consistent case so the reader will correctly understand what Christianity is all about. •The book gives a rational overview of Christianity so the modern mind will interact with God’s claim upon its life. •The book gives a comprehensive coverage of Christianity so the reader will intelligently understand what Christians believe and how they should live.
Edward St. Aubyn’s Patrick Melrose novels were some of the most celebrated works of fiction of the past decade. Ecstatic praise came from a wide range of admirers, from literary superstars such as Zadie Smith, Francine Prose, Jeffrey Eugenides, and Michael Chabon to pop-culture icons such as Anthony Bourdain and January Jones. Now St. Aubyn returns with a hilariously smart send-up of a certain major British literary award. The judges on the panel of the Elysian Prize for Literature must get through hundreds of submissions to find the best book of the year. Meanwhile, a host of writers are desperate for Elysian attention: the brilliant writer and serial heartbreaker Katherine Burns; the lovelorn debut novelist Sam Black; and Bunjee, convinced that his magnum opus, The Mulberry Elephant, will take the literary world by storm. Things go terribly wrong when Katherine’s publisher accidentally submits a cookery book in place of her novel; one of the judges finds himself in the middle of a scandal; and Bunjee, aghast to learn his book isn’t on the short list, seeks revenge. Lost for Words is a witty, fabulously entertaining satire that cuts to the quick of some of the deepest questions about the place of art in our celebrity-obsessed culture, and asks how we can ever hope to recognize real talent when everyone has an agenda.